REALISMEN IN DER SÜDDEUTSCHEN KUNST
A presentation of works of painting, drawing and print, taken from the inventories of the municipal Lütze Collection, takes view of developments within realist art over the past century and a half.
A presentation of works of painting, drawing and print, taken from the inventories of the municipal Lütze Collection, takes view of developments within realist art over the past century and a half.
Photography installation with 1000 photographs, offering an overwhelming view of and through the wrappings of our throwaway society, symbolized in our region by the yellow sack.
Sabine Laidig’s artworks deal on a fundamental level with the phenomenon of color. As such, the mathematical tools of scale and metrics form an essential component of her works, providing the artist with the means to explore the interplay between color-application, pictorial rhythm and lighting effects, creating the most finely nuanced spaces of light.
WerkStadt Cooperation between the Mercedes-Benz factory Sindelfingen and the Galerie Stadt Sindelfingen: With the exhibition “Daimler Design – Unexpected Moments,” the Daimler world of design finds its way into the gallery.
The artist Hannes Steinert (*1954 in Stuttgart) lives and works in his hometown. The former student of Rudolf Schoofs at the Staatliche Akademie der Bildenden Künste Stuttgart is known for his “wide-ranging creativity ,”
Exhibition Kultur am Stift Sindelfingen. Decorative, script, and sign painter, church painter and gilder, poster designer and scenographer from Sindelfingen.
The exhibition “stanze per stranieri” takes as its focus the development of the artists Susanne Windelen, professor of sculpture at der Staatliche Akademie der Bildenden Künste Stuttgart, and Jochen Fischer, professor of sculpture
Elizabeth Creseveur and Ursula Kraft met each other twenty years ago during an artists’ residency; since then, they have each followed the other’s work, out of which an active exchange has emerged between the two artists. One is French, the other German, and both today live in Paris.
The sound installation “While I Was Here,” produced by the US-American artist Jason Kahn (*1960 in New York) within the space of the Galerie Stadt Sindelfingen, is a purely acoustic artwork. Although “While I Was Here” is titled as an exhibition, there is nothing, here – beyond a loudspeaker on the floor – to be seen.
Aphorisms, words of wisdom, blessings, primarily in wood – but also in leather, leatherboard, silk, fabric or cork – and branded with images; it is above all since the mid-19th century that these decorative objects have become common features within house and home.
Barrierefreiheit